John Houseman Theatre, NYC
|
*ABOUT TIME (World Premier)
|
Tony Giordano
|
1990
|
|
|
|
|
|
|
Playwrights Horizons, NYC
|
*YANKEE DAWG YOU DIE! (World Premier)
|
Sharon Ott
|
1989
|
|
Berkeley Repertory Theatre
|
|
|
1988
|
|
|
|
|
|
|
Subaru Acting Company, Tokyo
|
*SILENCE / CHINMOKU (World Premier)
|
Ganshi Murata &
|
1995/98
|
|
Japan Society, NYC
|
Japanese National Tour & USA Tour
|
Joe Hanreddy
|
1998
|
|
Milwaukee Repertory Theatre
|
|
|
1995
|
|
|
|
|
|
|
Geffen Playhouse, Los Angeles
|
MERTON OF THE MOVIES
|
John Rando
|
1999
|
|
|
|
|
|
|
Old Globe Theatre
|
MACTBETH
|
Jack O’Brien
|
1979
|
|
(Over 95 Designs from 1979 to 2001)
|
ROMEO AND JULIET
|
“
|
to
|
|
|
*CATSPLAY
|
“
|
2001
|
|
|
*SEASON’S GREETINGS
|
“
|
|
|
|
*OVER THE RIVER AND THROUGH THE WOODS
|
Craig Noel
|
|
|
|
*ON THE VERGE
|
“
|
|
|
|
*SPRINGTIME FOR HENRY
|
“
|
|
|
|
TWO GENTLEMEN OF VERONA
|
“
|
|
|
|
*THE BOILER ROOM (World Premier)
|
“
|
|
|
|
AND A NIGHTENGALE SANG
|
“
|
|
|
|
REBEL ARMIES DEEP INTO CHAD
|
Adrian Hall
|
|
|
|
*CLAP YOUR HANDS (World Premier)
|
Ellis Rabb
|
|
|
|
THE WEIR
|
Joe Hardy
|
|
|
|
THINGS WE DO FOR LOVE
|
“
|
|
|
|
*THE OLD BOY
|
Paul Benedict
|
|
|
|
LOVE’S LABOUR’S LOST
|
Jerome Kilty
|
|
|
|
MOBY DICK REHEARSED
|
David McClendon
|
|
|
|
*BURING HOPE (World Premier)
|
Andrew Traister
|
|
|
|
*BELOW THE BELT
|
“
|
|
|
|
TALLY’S FOLLY
|
“
|
|
|
|
THE SORROWS OF STEPHEN
|
“
|
|
|
|
*NEVILLE’S ISLAND
|
“
|
|
|
|
|
|
|
|
American Conservatory Theatre
|
AMERICAN BUFFALO
|
Richard E.T. White
|
1991
|
|
|
THE MARRIAGE OF FIGARO
|
|
to
|
|
|
THE GOAT OR WHO IS SYLVIA?
|
|
|
|
|
HEDDA GABLER
|
|
|
|
|
SEXUAL PERVERSITY IN CHICAGO
|
Peter Reigert
|
|
|
|
*THE POPE AND THE WITCH
|
Richard Seyd
|
2007
|
|
|
PYGMALION
|
|
|
|
|
LIGHT UP THE SKY
|
Albert Takazakas
|
|
|
|
|
|
|
|
Seattle Repertory Theatre
|
COPENHAGEN
|
Richard E.T. White
|
2002
|
|
|
THE BEARD OF AVON
|
Sharon Ott
|
2001
|
|
|
|
|
|
|
Berkeley Repertory Theatre
|
*TOOTH OF CRIME
|
Sharon Ott
|
1985
|
|
|
*IN PERPETUITY THROUGHOUT... UNIVERSE
|
|
to
|
|
|
SERIOUS MONEY
|
Ott & Taccone
|
2000
|
|
|
THE ALCHEMIST
|
Tony Taccone
|
|
|
|
*VOLPONE
|
“
|
|
|
|
*LIFE DURING WARTIME
|
“
|
|
|
|
DANCING AT LUGHNASA
|
Richard E.T. White
|
|
|
|
THE IMPORTANCE OF BEING EARNEST
|
“
|
|
|
|
*SPEED-THE-PLOW
|
“
|
|
|
|
BLUE WINDOW
|
“
|
|
|
|
*MISSING PERSONS
|
Penny Metropulos
|
|
|
|
MOTHER JONES
|
Timothy Near
|
|
|
|
*FISH HEAD SOUP (World Premier)
|
Oskar Eustis
|
|
|
|
FOR BETTER OR WORSE
|
David Ira Goldstein
|
|
|
|
|
|
|
|
Missouri Repertory Theatre
|
WORK SONG (World Premier)
|
Eric Simonson
|
2002
|
|
City Theatre
|
|
“
|
2004
|
|
|
|
|
|
|
Milwaukee Repertory Theatre
|
MOBY DICK (World Premier)
|
Eric Simonson
|
1993
|
|
|
ANNA CHRISTIE
|
“
|
to
|
|
|
*PARAGON SPRINGS (World Premier)
|
Joe Hanreddy
|
2005
|
|
|
*FORCE OF NATURE (World Premier)
|
“
|
|
|
|
*ARCADIA
|
“
|
|
|
|
PLAYBOY OF THE WESTERN WORLD
|
“
|
|
|
|
*SIX CHARACTERS IN SEARCH...
|
“
|
|
|
|
*THE IMPORTANCE OF BEING EARNEST
|
“
|
|
|
|
*WOMAN IN MIND
|
“
|
|
|
|
SIGHT UNSEEN
|
John Dillon
|
|
|
|
THE SHAUGHRAUN
|
Ed Morgan
|
|
|
|
THE GENERAL FROM AMERICA
|
“
|
|
|
|
BENITO CERANO
|
“
|
|
|
|
ROCKET MAN
|
Andrew Traister
|
|
|
|
THE CLEAN HOUSE
|
Richard E.T. White
|
|
|
Shakespeare Theatre at the Folger
|
THE TEMPEST
|
Richard E.T. White
|
1989
|
|
|
|
|
|
|
Arizona Theatre Company
|
MOON FOR THE MISBEGOTTEN
|
Samantha Wyer
|
1981
|
|
|
A STREET CAR NAMED DESIRE
|
“
|
to
|
|
|
*HOW THE OTHER HALF LOVES
|
Andrew Traister
|
2008
|
|
|
*AIN’T MISBEHAVIN’
|
Arthur Faria
|
|
|
|
GLENGARRY GLEN ROSS
|
Edward Call
|
|
|
|
ARMS AND THE MAN
|
“
|
|
|
|
STEEL MAGNOLIAS
|
Libby Appel
|
|
|
|
THE TEMPEST
|
Gary Gisselman
|
|
|
|
FOR BETTER OR WORSE (World Premier)
|
David Ira Goldstein
|
|
|
|
DR. JEKYLL AND MR. HYDE (World Premier)
|
“
|
|
|
|
|
|
|
|
The Cleveland Play House
|
MOON OVER BUFFALO
|
John Rando
|
1996
|
|
|
*THE BLUE ROOM
|
Edward Call
|
to
|
|
|
* A SMALL FAMILY BUSINESS
|
“
|
2004
|
|
|
*THE BLUE ROOM
|
“
|
|
|
|
ANTIGONE
|
“
|
|
|
|
*THE FRONT PAGE
|
Jeffrey Hayden
|
|
|
|
*THE IMAGINARY INVALID
|
Peter Hacket
|
|
|
|
*DINNER WITH FRIENDS
|
Seth Gordon
|
|
|
|
*VINCENT IN BRIXTON
|
“
|
|
|
GEVA
|
*HOUSE AND GARDEN
|
Mark Cuddy
|
2001
|
|
|
*WHO’S AFRAAID OF VIRGINIA WOOLF?
|
Andrew Traister
|
2000
|
|
Alliance Theatre Company
|
*AIN’T MISBEHAVIN’
|
Arthur Faria
|
1992
|
|
|
*SAID SAID
|
Sharon Ott
|
2006
|
|
A Contemporary Theatre, Seattle
|
VOICES IN THE DARK (World Premier)
|
John Pielmeier
|
1994
|
|
|
*A NORMAL LIFE (World Premier)
|
Mary B. Robinson
|
1990
|
|
Denver Center Theatre Company
|
*THE FRONT PAGE
|
Jerry Zaks
|
1984
|
|
|
*ROMEO AND JULIET
|
Caroline Eves
|
1984
|
|
|
|
|
|
|
San Jose Repertory Theatre
|
*THE WIND CRIES MARY (World Premier)
|
Eric Simonson
|
1992
|
|
|
*ENTER THE GUARDSMAN
|
Lillian Groag
|
to
|
|
|
THE MASTER BUILDER
|
Libby Appel
|
2008
|
|
|
THE INNOCENTS
|
John McCluggage
|
|
|
|
DR. JEKYLL AND MR. HYDE
|
David Ira Goldstein
|
|
|
|
|
|
|
|
OPERA San Diego Opera
|
*THE CONQUISTADOR (World Premier)
|
Sharon Ott
|
1997
|
|
|
*THE LIGHTHOUSE
|
Jack O’Brien
|
1986
|
|
Chicago Opera Theatre
|
THE LIGHTHOUSE
|
|
1987
|
|
Opera San Jose
|
THE CRUCIBLE
|
Timothy Near
|
2005
|
|
|
MADAMA BUTTERFLY
|
Brad Dalton
|
2007
|
|
New York City Opera
|
NABUCCO (Re-design for State Theatre)
|
Ghita Hager
|
1981
|
